Original image of Mami Wata (left); mass produced image of Mami Wata found all over Africa and the Caribbean (right).
Mami Wata (Mammy Water) is venerated in West, Central, Southern Africa, and in the African diaspora in the Caribbean and parts of North and South America. Mami Wata spirits are usually female, but are sometimes male
The appearance of her hair ranges from straight, curly to kinky black and combed straight back. “Mami Wata” where “Mami” is the Pidgin English spelling of mammy (mother) “Wata” is the Pidgin English spelling of water is essentially a mermaid or humanistic water entity.
Mami Wata is often described as a mermaid-like figure, with a woman’s upper body (often nude) and the hindquarters of a fish or serpent. In other tales, Mami Wata is fully human in appearance (though never human). The existence and spiritual importance of Mami Wata is deeply rooted in the ancient tradition and mythology of the coastal southeastern Nigerians (Efik, Ibibio and Annang people). Mami Wata often carries expensive baubles such as combs, mirrors, and watches. A large snake (symbol of divination and divinity) frequently accompanies her, wrapping itself around her and laying its head between her breasts. Other times, she may try to pass as completely human, wandering busy markets or patronising bars. She may also manifest in a number of other forms, including as a man.] In the Yoruba tradition, the mother goddess Yemaja has been recently associated with Mami Wata in popular culture Traders in the 20th century carried similar beliefs with them from Senegal to as far as Zambia. As the Mami Wata traditions continues to re-emerge, native water deities were subsumed into it.
According to Bastian, Mami Wata’s association with sex and lust is somewhat paradoxically linked to one with fidelity. According to a Nigerian tradition, male followers may encounter the spirit in the guise of a beautiful, sexually promiscuous woman, such as a prostitute. In Nigerian popular stories, Mami Wata may seduce a favoured male devotee and then show herself to him following coitus. She then demands his complete sexual faithfulness and secrecy about the matter. Acceptance means wealth and fortune; rejection spells the ruin of his family, finances, and job
This is so cool! But what country are they from? “Africa” is really vague.
Their names are Duro-Aina Adebola, Akindele Abiola, Faleke Oluwatoyin, and Bello Eniola and they’re from Lagos, Nigeria. There’s a neat video about them here.
boost the fuck out of this, and make sure you include their goddamn names and country of origin.
Is it my imagination, or does he have kind of were-teeth happening in the bottom right gif? Have we seen his teeth in other scenes? Most people don’t have canines on the bottom row of teeth. And he’s being aggressive here, and trying to keep the situation calm.
Hmmm. Parrish, what are you?
OMFG I DON’T EVEN WATCH THIS SHOW ANYMORE.
"Curing AIDS? Shit, that’s like Cadillac making a car that lasts for 50 years. And you know they can do it, but they ain’t going to do nothing that fucking dumb. Shit, they got metal on the Space Shuttle that can go around the Moon and withstand temperatures of up to 20,000 degrees, you mean to tell me you don’t think they can make an El Dorado with a fuckin’ bumper that don’t fall off?"
- Chris Rock (“Bigger and Blacker”, 1999)
I love me some Chris Rock. He’s always speaking that unapologetic truth.
This is an illustration I did for the August 2014 issue of Popular Science Magazine. The assignment was to show a scifi take on human aging in the future. I wanted to do something relatively positive, so I drew a lady whose life has been been prolonged through cybernetic enhancements and augmentation, so she gets to spend time with her great-great-great-great grandchildren.
Thanks to AD Michelle Mruk!